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1401 (Vol. 3)

[Image of the royal family.] HER MAJESTY THE QUEEN, HIS ROYAL HIGHNESS PRINCE ALBERT, AND THEIR ROYAL HIGHNESSES THE PRINCE...

1402 (Vol. 3)

ASTLEY’S AMPHITHEATRE. FOR some nights past, the frequenters of this very popular theatre have been wondrously amused with the feats...

1403 (Vol. 3)

[Image of performance at Astley’s.] SCENE FRON [sic] “THE CAMP OF SILESIA,” AT ASTLEY’S.—(THE PANDOURS’ CAVERN.) ASTLEY’S. OUR Illustration shows...

1407 (Vol. 3)

ASTLEY’S AMPHITHEATRE. This house reopened last night after one of those brief intervals which theatrical people, naturally given to illusion,...

1410 (Vol. 3)

Astley’s.—Van Amburgh and his Lions, after an absence of five years from England, have again made their appearance, and in...

1411 (Vol. 3)

ASTLEY’S. This theatre opened for the season with entire novelties. The first piece, in which, if Mr. Batty has not,...

1412 (Vol. 3)

of a dramatic character. A few of them are worked into a short story, of which the quarrels between the...

1413 (Vol. 3)

ASTLEY’S ROYAL AMPHITHEATRE. This pantomime is, as usual, from the fertile brains of Mr. Nelson Lee. The subject is particularly...

1420 (Vol. 3)

ASTLEY’S ROYAL AMPHITHEATRE. The truly gorgeous and delightful hippodramatic spectacle of “Azael” continues to draw immensely at this establishment, and...

1422 (Vol. 3)

ASTLEY’S. The history of Eleanor and Fair Rosamond affords ample materials for the development of all the peculiar resources of...

1425 (Vol. 3)

[image of horse and rider] SCENE FROM THE NEW PANTOMIME OF “HARLEQUIN AND O’DONOGHUE,” AT ASTLEY’S. ASTLEY’S THEATRE. Last week...

1425 (Vol. 3)

Astley’s Amphitheatre. The Easter novelty at this every popular place of amusement was a spectacle under the title of Bonaparte...

1426 (Vol. 3)

[image of pantomime performance] ASTLEY’S.—SCENE FROM THE PANTOMIME OF “MR. AND MRS. BRIGGS; OR, PUNCH’S FESTIVAL.”

1427 (Vol. 3)

ASTLEY’S ROYAL AMPHITHEATRE.— Proprietor and Manager, Mr. W. BATTY. The present Grand New Spectacle has proved one of the most...

1434 (Vol. 3)

[image of horse riders] BATTY’S GRAND NATIONAL HIPPODROME, KENSINGTON.—THE CIRCLE—(SEE PRECEDING PAGE.)

1437 (Vol. 3)

ASTLEY’S ROYAL AMPHITHEATRE.— Proprietor and Manager, MR. W. BATTY. Second week of the Dramatic Season, and of the New Gorgeous...

1443 (Vol. 3)

ASTLEY’S.—The recommencement of the Dramatic Season, after a short interregnum (which was filled up with a series of entertainments partaking...

1444 (Vol. 3)

force, and the piece ended with the unanimous applause of a crowded house. CHANGE OF MANAGEMENT.—Last Saturday arrangements were completed...

1448 (Vol. 3)

LAMBETH. ROBBERY OF MR. WIDDICOMBE.—Mary Ann Cook, a well-dressed and modest looking female, who described herself as a dress-maker, was...

1469 (Vol. 3)

[Image of woman riding horse.] ASTLEY’S.—SCENE IN THE CIRCLE—SEE PRECEDING PAGE.

1471 (Vol. 3)

SOUTHWARK COUNTRY COURT. IMPORTANT TO THE THEATRICAL PROFESSION.—SMITH V. COOKE, PROPRIETOR OF ASTLEY’S THEATRE.—This was an action brought in the...

1472 (Vol. 3)

Astley’s.—Whit-Monday opened auspiciously for the new management, and the triumphs of the evening lead us to indulge a hope that...

1473 (Vol. 3)

was in store for them at the favourite Amphitheatre, faith was in the ascendant, and the public mustered largely in...

1475 (Vol. 3)

There is not that amount of tinsel, blue fire, banners, double bands, and spangles which sometimes characterise the “gorgeous spectacles;”...